What to send before we hold a date

A short note to info@texacte.com is enough to start. We answer with a crew plan and a written estimate.

What the pictures are for
Where they will run, and whether you need stills, a film, or both. Limestone, overcast quay, stills and films finished so print and a short cut stay the same afternoon, not a postcard sunset.
Place and dates
The room or the street, and the days you can hold. We leave from Marmontova 4 in Split.
References
Three to six frames you like, and one you do not. Say what you like about them, in a sentence.
Usage
The media, the territories and how long the pictures need to stay live. That sets the estimate more than the kit does.

What you get back

A crew plan and a written estimate: We read the brief, ask what the pictures are for and where they will run, and visit the place if we have not shot there before.
A call sheet and a shot list: Shot list, call sheet, crew and kit go into one document. Must-have frames come first, extras come with a time next to them.
A contact sheet the same evening: Stills are reviewed tethered on set, film is checked on a calibrated monitor, and nobody leaves until the key frames are agreed.
Masters, versions and an archive: Finishing happens here, not with a stranger. Files are named for the media plan and delivered with a readme someone else can follow.
Masters, versions and an archive: Finishing happens here, not with a stranger. Files are named for the media plan and delivered with a readme someone else can follow.

References, a date and where the pictures will run. We reply with names and a figure.